Do yourself a favour and steer well clear of the vocal cut of Michael Woods’ new single ‘Overflowing’, and head straight for the visceral dancefloor appeal that personifies the instrumental mix. A polished mix of electro and EDM, it’s the brute force of that bassline that cements it as a mainroom banger with enough brute power to wreck the joint. Executed with precision.
The Bulgarian maestro demonstrates on his ‘Cloud Generator’ EP he’s more than happy to defy expectations, a respite from the darker techno he’s so proficient at producing, though the closing breakbeat mix of ‘Pocket Piano’ is the most unexpected and memorable, a glorious rave throwback with enough sonic surprises to leave dancefloors breathless.
The third longplayer from Silkie is as hyperreal and technicolour in its gangsta boogie characteristics as ever. Boy, this guy can really play! If ever there was an antidote to the bleaker qualities of dubstep and associated genres, this tapestry of melody, pitch and tone is it. Too many great tracks to mention, but check the euphoric ‘Limits’, the on-trend and suitably named ‘Entrapment’, the minor qualities of ‘Majik’ and the cheeky 'Love Affair'.
Grum makes his Anjunabeats debut with another solid indication he’s ready for the big league. ‘U’ is an enigmatic, progressive stormer that pitches its flag somewhere ambiguously between house and trance, maximising appeal for both scenes. Led by a rich, colourful electro synth hook, it’s backed by a driving house kick that maximises dancefloor functionality. More importantly though is how Grum has tapped into that mysterious essence that defined early progressive, making ‘U’ one of the standout electro/progressive records of the year so far.