Being released on the anniversary of his untimely death, Hyperdub release the final EP from DJ Rashad’s production vaults, saving the best till last. ‘CCP2’ feat DJ Spinn sets the tone, a dope soul sample atop a rolling juke frame, followed by the huge vocal-led ‘Cause I Know U Feel’ which is as close as you get to a hands-in-the-air “last tune” with juke. The mood then switches with ‘Taso’ and ‘Do Not Fuck’. The former gets hyper trappy, whilst the latter is an intense footwork beat excursion drenched in paranoia.
A sleeper of a record from Colorize that warrants attention as a proper gem, ‘Back In My Life’ is a seductive slice of melodic progressive that’s brimming with ambient shimmers, dramatic drumrolls and huge basslines, packing a dancefloor punch without letting things spill gratuitously over into trance. Keep it in your box if you really want to take a house set up a notch.
The third longplayer from Silkie is as hyperreal and technicolour in its gangsta boogie characteristics as ever. Boy, this guy can really play! If ever there was an antidote to the bleaker qualities of dubstep and associated genres, this tapestry of melody, pitch and tone is it. Too many great tracks to mention, but check the euphoric ‘Limits’, the on-trend and suitably named ‘Entrapment’, the minor qualities of ‘Majik’ and the cheeky 'Love Affair'.
Do yourself a favour and steer well clear of the vocal cut of Michael Woods’ new single ‘Overflowing’, and head straight for the visceral dancefloor appeal that personifies the instrumental mix. A polished mix of electro and EDM, it’s the brute force of that bassline that cements it as a mainroom banger with enough brute power to wreck the joint. Executed with precision.